a new history of the double bass paul brun pdf file

The lowest note was so hard to hear that many orchestras went to 3-string basses especially for soloing. Then there was no set standard of how many strings a bass had nor how they were to be tuned.

Dragonetti was an unparalleled master at uniting orchestras. The strings were so thick that they turned as they were being stroked making very low notes impossible. It was not unusual to see bassists collapse in their seats to catch their breath during live performances. These basses had huge, thick gut strings that required the wearing of gloves. Basses were so huge that young, strong men had to play them because they wore out older men. There was also the basso continuo when the symphony broke down into a smaller unit during the performance. He talks of the greater and smaller choirs with basses strategically placed around stage. Actually, he points out that cellos were originally called 'double bass' but the title was transferred to the bigger basses to avoid confusion. When told by the proprietor that he was making the building fall, the man shouted exuberantly, 'Let it!' Brun points out how the evolution of symphony orchestras paralleled the evolution of the double bass. One stood 13 feet high and the other a whopping 15 feet high! He mentions a huge bass made in England that reportedly nearly toppled the building in which it was being played by its maker (a hole had to be cut in the ceiling to stand it upright). Brun mentions two American basses in the 19th century that were bigger. Dell Drivers Update Utility Serial Number.Ĭommand Aire Geothermal Heat Pump Manual here. The most famous of these is the Octobasse which stands a little over 12 feet high but these was not close to the largest. Double basses came in all sizes from not much larger than a cello to huge towering monsters. Double bass was meant to fill large halls with low frequencies. It was a new instrument and the antithesis of the bass viol which were meant for quiet settings with small ensembles as string quartets and the like. He disproves certain assumptions such as the double bass descending from the bass viol. Written by Paul Brun, whom I think is an orchestral bassist, it goes over how this instrument evolved. Anyway, I bought this last year and I consider it a must for anyone studying the bass. Matchware Mediator 9 Crack Serial Keygen more. I'm not sure what folder this topic belongs in. Electric Uprights and new Double Basses (FL) Bass Garden.

A new history of the double bass paul brun pdf file